<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>The Good People Factory</title><link>https://good-people-factory.com/</link><description>Recent content on The Good People Factory</description><generator>Hugo</generator><language>en</language><managingEditor>Craig</managingEditor><lastBuildDate>Tue, 26 May 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://good-people-factory.com/index.xml" rel="self" type="application/rss+xml"/><item><title>Are you looking up?</title><link>https://good-people-factory.com/posts/are-you-looking-up/</link><pubDate>Tue, 26 May 2026 00:00:00 +0000</pubDate><author>Craig</author><guid>https://good-people-factory.com/posts/are-you-looking-up/</guid><description>&lt;p>When you are standing on the ground, you can’t really tell how much taller Willis Tower is than everything else in
Chicago.&lt;/p>
&lt;p>&lt;img alt="A view of Willis Tower from Michigan Avenue" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/willis-from-the-ground.jpeg">&lt;/p>
&lt;p>Walking down the street, craning your neck, gawking at the verticality of it all, you can&amp;rsquo;t make sense of the scale
because it is so sheer.&lt;/p>
&lt;p>&lt;img alt="Skyscrapers imposing over Millennium Park" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/millenium-park.jpeg">&lt;/p>
&lt;p>But then you hop on the elevator, and suddenly you are staring down at the tops of sky scrapers, almost as far above
them as you were below, wondering what mundane vegetables are growing in rooftop gardens kissing the clouds.&lt;/p>
&lt;p>&lt;img alt="Looking out to the east from the observation deck of Willis Tower" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/willis-observation-deck.jpeg">&lt;/p>
&lt;p>There’s a scene in &lt;em>Skyscraper Live&lt;/em> where Mark Rober explains that the sensation of vertigo we get when we approach the
edge of a tall building is due to what’s called visual-vestibular conflict. Basically, our vestibular system helps us
maintain balance by relaying to our brain information about our head position, motion, and orientation. Visually, in
normal environments, we experience this thing called motion parallax, where, when we move, the things closest to us
travel faster and further across the field of vision than objects more distant. But when you approach the ledge of a
very tall building, everything is so distant, that even though your head is making constant tiny micro-movements,
nothing appears to really move, and so you get vertigo.&lt;/p>
&lt;p>&lt;img alt="Looking through the glass ledge hanging over the edge of Willis Tower&amp;rsquo;s observation deck" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/willis-on-the-ledge.jpeg">&lt;/p>
&lt;p>There’s a similarly enigmatic quality to our experience of large numbers. To reduce our cognitive load, when we read a
very large number, such as 10,000,000,000,000, we do not really imagine the contents of such a quantity, but instead
just substitute in a symbolic placeholder for the number.&lt;sup id="fnref:1">&lt;a href="#fn:1" class="footnote-ref" role="doc-noteref">1&lt;/a>&lt;/sup>&lt;/p>
&lt;p>This is computationally efficient, but can lead us astray. Without some sort of visual aid or other concrete reference
point to anchor to, we don’t really have an intuitive feel for the quantities in the following statements:&lt;/p>
&lt;ul>
&lt;li>Elon Musk is worth more than 800 billion dollars.&lt;/li>
&lt;li>US GDP as of Q4 2025 was 31.42 trillion dollars.&lt;/li>
&lt;li>There are approximately 162 million employed persons working in the US as of March 2026.&lt;/li>
&lt;/ul>
&lt;p>They all just express numbers too large to be directly imagined. You might have a suspicion that the above indicates
some severe disparity in wealth or compensation, but probably that arises more from the name Elon Musk than any
intuitive grasp of the mathematical facts and their implications.&lt;/p>
&lt;p>Internally, it is thought that we represent magnitudes on a non-linear mental number line, extending from the left brain
hemisphere (smaller) to the right (larger), and evidencing itself in strange effects, such as the tendency to generate
‘random’ numbers that are smaller when turning our heads to the left, and larger when turning to the right.&lt;sup id="fnref:2">&lt;a href="#fn:2" class="footnote-ref" role="doc-noteref">2&lt;/a>&lt;/sup> This is
not something common sense would have predicted.&lt;/p>
&lt;p>We often think of mathematical activities as cerebral and idealized, in contrast with more ‘physical’ and ‘embodied’
things we could do, such as kicking around a soccer ball or running a marathon. But the truth is, we don’t think of it
as cerebral enough. To calculate with precision is to wrestle with the human body’s mightiest organ.&lt;/p>
&lt;hr>
&lt;p>Lately, one of Logan’s favorite genres of videos, which has grown to a sizable portion of my algorithmic allotment, are
astronomical-magnitude comparison videos, such as the following:&lt;/p>
&lt;div style="position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden;">
&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share; fullscreen" loading="eager" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/OVFtBRHvd-4?autoplay=0&amp;amp;controls=1&amp;amp;end=0&amp;amp;loop=0&amp;amp;mute=0&amp;amp;start=0" style="position: absolute; top: 0; left: 0; width: 100%; height: 100%; border:0;" title="YouTube video">&lt;/iframe>
&lt;/div>
&lt;p>In this genre, we are shown progressively larger astronomical objects. Each object flits off screen and the camera pans
out to take in a new one. As we progress through the asteroids, moons, planets, and stars, to the black holes, galaxies,
nebulae, and finally the event horizon, Logan exclaims, “Whoa, that’s a huge galaxy!” or whatever it is. Cynically, I
find myself wondering how long the optical illusion can continue to charm him before his brain becomes inoculated to it.&lt;/p>
&lt;p>In other scenarios, our limitations are far less beneficent. In &lt;em>The Most Good You Can Do&lt;/em>, Peter Singer writes:&lt;/p>
&lt;blockquote>
&lt;p>Effective altruism does not require the kind of strong emotional empathy that people feel for identifiable individuals
and can even lead to a conclusion opposed to that to which this form of emotional empathy would lead us. In one study,
people were shown a photo of a child and told her name and age. They were then informed that to save her life, she
needed a new, expensive drug that would cost about $300,000 to produce, and a fund was being established in an attempt
to raise this sum. They were asked to donate to the fund. Another group was shown photos of eight children, given
their names and ages, and told that the same sum, $300,000, was needed to produce a drug that would save all of their
lives. They too were asked to donate. Those shown the single child gave more than those shown the eight children,
presumably because they empathized with the individual child but were unable to empathize with the larger number of
children. To effective altruists, this is an absurd outcome, and if emotional empathy is responsible for it, then so
much the worse for that kind of empathy. Effective altruists are sensitive to numbers and to cost per life saved or
year of suffering prevented. If they have $10,000 to donate, they would rather give it to a charity that can save a
life for $2,000 than one that can save a life for $5,000 because they would rather save five lives than two.&lt;sup id="fnref:3">&lt;a href="#fn:3" class="footnote-ref" role="doc-noteref">3&lt;/a>&lt;/sup>&lt;/p>&lt;/blockquote>
&lt;hr>
&lt;p>Wandering the first floor of the Art Institute, I found myself charmed by the familiar scenes depicted in Greek and
Roman pottery and mosaic.&lt;/p>
&lt;p>&lt;img alt="Assorted Roman Mosaics from a wealthy home" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/roman-mosaics.jpeg">&lt;/p>
&lt;p>A wealthy Roman household adorned their dining room with plain mosaics of food stuffs, flanked by blonde-haired Spring,
smiling, and a weary-looking brunette, Autumn. I could imagine the arrangement on the walls of an upper-crust southern
home.&lt;/p>
&lt;p>&lt;img alt="A Greek drinking bowl depicting lovers in an erotic embrace" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/%CE%BA%CF%8D%CE%BB%CE%B9%CE%BE.jpeg">&lt;/p>
&lt;p>A drinking bowl, which would be filled with wine and served at parties, depicts lovers in an erotic embrace, revealed
only when the last drought had been drunk.&lt;/p>
&lt;p>&lt;img alt="A tall jar intended to hold ritual bath water. On its side, a young woman is depicted within a shrine." loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/%CE%BB%CE%BF%CF%85%CF%84%CF%81%CE%BF%CF%86%CF%8C%CF%81%CE%BF%CE%BD.jpeg">&lt;/p>
&lt;p>A
&lt;span lang="grc" class="foreign-lang">λουτροφόρον&lt;/span>
used to carry water for the ritual bath which virgins would undergo before
marriage.&lt;sup id="fnref:4">&lt;a href="#fn:4" class="footnote-ref" role="doc-noteref">4&lt;/a>&lt;/sup> In this case, the young woman is depicted in a
&lt;span lang="grc" class="foreign-lang">ναΐσκος&lt;/span>
, a little temple,
indicating that she had died unwed.&lt;/p>
&lt;p>&lt;img alt="A large, marble sarcophagus" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/claudias-sarcophagus.jpeg">&lt;/p>
&lt;p>A huge sarcophagus for Claudia, his most beloved wife, by Marcus Cerdo.&lt;sup id="fnref:5">&lt;a href="#fn:5" class="footnote-ref" role="doc-noteref">5&lt;/a>&lt;/sup>&lt;/p>
&lt;p>I did not take photos, but a recurring scene recorded on precious ceramics and in marble reliefs was that of a dead
loved one, holding hands with the living, being called upon by some lesser deity to depart to the next life. A father
grasping the hand of his wife. Or his daughter. Or two parents saying farewell to their deceased son.&lt;/p>
&lt;p>These scenes need no commentary. But I marveled at the artifacts. It is not typical in our culture to commission
expensive works of art to record the most painful days of our lives. We are encouraged to move on. We are encouraged to
productivity.&lt;/p>
&lt;p>I think part of what makes them feel so human is not merely that they depict the common places of our lives, but that
they keenly express our self-awareness. The self-confidence of Spring and the exasperation of Autumn reflect the cycle
of our own moods and endeavors more than any truth about the seasons. The bowl of wine flirts with those who would
imbibe. All the frustrated anticipation of everything lost forever is cruelly embedded in the form of a basin of water.&lt;/p>
&lt;hr>
&lt;p>On the second floor of the museum, there is a painting of a striking scene. Four Native Americans are depicted. A young
boy grasps at presumably his mother with a pleading look, who stares off into the distance. His father gazes intently
upon her, clasping his hands together within his robe, whilst another, older man waits, looking out the corner of his
eyes awkwardly, standing behind the father, as though he were trying to stay out of the family’s discussion. The men are
clothed in white, traditional garb, whereas the woman wears a blouse.&lt;/p>
&lt;p>&lt;img alt="The Solemn Pledge: Taos Indians by Walter Ufer" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/solemn-pledge.jpeg">&lt;/p>
&lt;p>The boy is going to pledge himself to an education in the &lt;em>kiva&lt;/em>, a large, underground room which served as the center
of Puebloan worship and political life. I understand the mother to be expressing reluctance, concerned perhaps about the
value and relevance of such an education in the modern world.&lt;/p>
&lt;p>Her hidden face invokes a feeling of tragedy in me. Not because there is some clear solution, but the painting hides her
face almost in shame, the way we look away from some horrid revelation, like a doctor delivering a fatal diagnosis. How
much more would we often prefer ignorance to a knowledge of the inevitable?&lt;/p>
&lt;hr>
&lt;p>Nearby stands a painting of Peter and John in the empty tomb.&lt;/p>
&lt;p>&lt;img alt="Peter and John stand in the empty tomb, painted in a classical, realistic style" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/empty-tomb.jpeg">&lt;/p>
&lt;p>When I first saw it, I misunderstood it. In John&amp;rsquo;s Gospel, the &amp;lsquo;other disciple&amp;rsquo; arrives first but waits to enter into
the tomb, whereas Peter rushes forward. So I interpreted the painting to depict John standing behind Peter.&lt;/p>
&lt;p>But actually, it is John standing at the front. According to commentators new and old, John was much younger than Peter,
which aligns with the accepted dates of their deaths. In the gospel, Peter is described as gazing upon the folded linens
and cloth which once covered Jesus&amp;rsquo;s body, but John alone is said to have believed. In the painting, we see Peter,
fingers folded together, gazing down, trying to make sense of the evidence, while John lifts his head up to catch the
light of revelation, illuminating his face with glory. His clear-eyed expression denotes the understanding of faith.&lt;/p>
&lt;p>Are you looking up? What distinguishes us from the other animals is not our ability to feel pain or affection or
happiness, but our ability to see dimly the deeper truth of things. Socrates says in &lt;em>Cratylus&lt;/em>:&lt;/p>
&lt;blockquote>
&lt;p>This name, human,&lt;sup id="fnref:6">&lt;a href="#fn:6" class="footnote-ref" role="doc-noteref">6&lt;/a>&lt;/sup> means, that the other creatures, what they see they do not linger on, neither reason about, nor
closely examine,&lt;sup id="fnref:7">&lt;a href="#fn:7" class="footnote-ref" role="doc-noteref">7&lt;/a>&lt;/sup> but the human, when he perceives something, he looks carefully at it and considers this thing he
has seen. From this alone are human beings rightly called ἄνθρωποι, considering what they have seen.&lt;sup id="fnref:8">&lt;a href="#fn:8" class="footnote-ref" role="doc-noteref">8&lt;/a>&lt;/sup>&lt;/p>&lt;/blockquote>
&lt;p>This is a sort of folk etymology of the Greek word for humans,
&lt;span lang="grc" class="foreign-lang">ἄνθρωπος&lt;/span>
, taking it to be
related to the verb
&lt;span lang="grc" class="foreign-lang">ἀναθρέω&lt;/span>
, “to look up at,” and in a derivative sense, “to look
carefully at or examine,” which serves as the basis of Socrates’s etiology. It is, ironically, not the true one.&lt;/p>
&lt;p>Gregory of Nyssa, a father of the church and staunch defender of Nicene orthodoxy, asserts that the image of God, in
which man was made,&lt;sup id="fnref:9">&lt;a href="#fn:9" class="footnote-ref" role="doc-noteref">9&lt;/a>&lt;/sup> extends even to the bodily form of the human being, in that we stand upright and look upward,
unlike the other creatures, which stoop in a bowed position towards the dust.&lt;sup id="fnref:10">&lt;a href="#fn:10" class="footnote-ref" role="doc-noteref">10&lt;/a>&lt;/sup> But this natural superiority he
grounds in our rational nature, which Gregory says, is not so much a gift given from God as a part of God himself, which
he enables us to participate in.&lt;sup id="fnref:11">&lt;a href="#fn:11" class="footnote-ref" role="doc-noteref">11&lt;/a>&lt;/sup>&lt;/p>
&lt;p>What I like about this conception is that it captures well the tension inherent in our experience of rationality—it is
in some sense an alien thing we are grasping onto, a truth that does not fit neatly into the frame of our limited,
corporeal perspectives, yet somehow, by a miracle of synapses and electrical pulses, we take hold of reality and pull
the truth into view.&lt;/p>
&lt;hr>
&lt;p>In those moments of understanding, we are struck dumb. The conventional term is something like enlightenment, which well
captures the way it feels, as though truth were finally pouring into us from the outside, spilling over the lips of
chinked jars of clay, the human brain, man made out of dust. The experience of insight comes with a giddiness akin to
the vertigo of standing on the ledge—and it’s only a matter of time before we step back.&lt;/p>
&lt;p>I’m just making things up at this point, but maybe the narrative is helpful. We tend to run away from the truth. We
barely can bring ourselves to focus upon it, even when it is of immense and unsurpassed relevance to our lives. The
classical example must be the fear of death. We don’t like thinking about dying even though it is a certainty. But it is
but one of many. We almost never think about
&lt;a href="https://en.wikipedia.org/wiki/Beak_trimming#Welfare_implications">the mass suffering of animals that we inflict&lt;/a> for
the purposes of feeding and clothing ourselves. The immense burden of preventable disease we could relieve
&lt;a href="https://www.givewell.org/international/technical/programs/vitamin-A">with only a little exertion on our own part&lt;/a>.&lt;/p>
&lt;p>Our reflex is to quickly step away from the ethical cliff. We stare up at the tower of suffering in the world and the
face of it is so sheer that we just stop counting. Who can tell which is worse from the ground floor? How can I even
know what to focus on when my intuitions and heuristics are so poorly equipped for this task?&lt;/p>
&lt;p>I remember being a middle schooler in my church youth group, and frequently speakers would talk to us about missionary
work sharing the gospel in faraway countries. I would often feel a strong impulse to resolve myself to serve in some
way, but as I would start to consider seriously what I would need to do to live a life that was truly selfless and
perfectly optimized, I would become mentally nauseated at the endless stream of questions and answers and duties and
concerns. The scale of need in the world is too great for us to bear by ourselves.&lt;/p>
&lt;p>&lt;img alt="Totem poles extend to the top of the frame. Taken inside the Field Museum" loading="lazy" src="https://good-people-factory.com/posts/are-you-looking-up/totem-poles.jpeg">&lt;/p>
&lt;hr>
&lt;p>I wish I had some sort of answer to give, instead of just gesturing at the problems. I try not to look up at the big
ones too often because I can only handle so much. And some things I already know. I’m not going to solve all the
problems. But we have to keep on trying if we are going to be truly who we are, truly human beings, in all the dignity
that our upright stature commands and commends. To be human is to wrestle with God, to struggle to take hold of the
truth. It’s to be relentless in our interrogation of ourselves, to be quick to change our minds. Don’t forget who you
are.&lt;/p>
&lt;hr>
&lt;p>This is the first post on &lt;em>The Good People Factory&lt;/em>. More will follow.&lt;/p>
&lt;p>If you want to be notified when they do, you can &lt;a href="https://good-people-factory.com/subscribe/">subscribe by email&lt;/a> or grab the &lt;a href="https://good-people-factory.com/index.xml">RSS feed&lt;/a>.&lt;/p>
&lt;p>If something strikes you — agreement, disagreement, a correction — the &lt;a href="https://good-people-factory.com/feedback/">feedback page&lt;/a> is there.&lt;/p>
&lt;div class="footnotes" role="doc-endnotes">
&lt;hr>
&lt;ol>
&lt;li id="fn:1">
&lt;p>Did you even count the zeros to figure out what number I wrote down, or did you just read on to the end of the
sentence with the placeholder a &lt;em>big number&lt;/em> in mind?&amp;#160;&lt;a href="#fnref:1" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:2">
&lt;p>&amp;ldquo;Head Turns Bias the Brain&amp;rsquo;s Internal Random Generator - ScienceDirect.&amp;rdquo; Accessed April 18, 2026.
&lt;a href="https://www.sciencedirect.com/science/article/pii/S0960982207022130">https://www.sciencedirect.com/science/article/pii/S0960982207022130&lt;/a>.&amp;#160;&lt;a href="#fnref:2" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:3">
&lt;p>Singer, Peter. &lt;em>The Most Good You Can Do: How Effective Altruism Is Changing Ideas about Living Ethically&lt;/em>. The
Castle Lectures in Ethics, Politics, and Economics. Yale university press, 2015. Pg. 78. Citing Kogut, Tehila, and
Ilana Ritov. &amp;ldquo;The &amp;lsquo;Identified Victim&amp;rsquo; Effect: An Identified Group, or Just a Single Individual?&amp;rdquo; &lt;em>Journal of
Behavioral Decision Making&lt;/em> 18 (2005): 157–67.&amp;#160;&lt;a href="#fnref:3" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:4">
&lt;p>Some similar practice may be referenced in the letter to the Ephesians chapter 5, verse 26.&amp;#160;&lt;a href="#fnref:4" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:5">
&lt;p>Thanks to Tyson Watson for somehow translating the effaced script.&amp;#160;&lt;a href="#fnref:5" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:6">
&lt;p>
&lt;span lang="grc" class="foreign-lang">Ἄνθρωπος&lt;/span>
that is.&amp;#160;&lt;a href="#fnref:6" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:7">
&lt;p>The verb is
&lt;span lang="grc" class="foreign-lang">ἀναθρεῖ&lt;/span>
and it is used throughout in the following sentences.&amp;#160;&lt;a href="#fnref:7" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:8">
&lt;p>Plato. &lt;em>Cratylus&lt;/em>. 399c.&amp;#160;&lt;a href="#fnref:8" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:9">
&lt;p>Genesis 1:26.&amp;#160;&lt;a href="#fnref:9" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:10">
&lt;p>Gregory of Nyssa. &lt;em>On the Making of Man&lt;/em>. Chapter 8. Section 1.&amp;#160;&lt;a href="#fnref:10" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;li id="fn:11">
&lt;p>Ibid. Chapter 9. Section 1.&amp;#160;&lt;a href="#fnref:11" class="footnote-backref" role="doc-backlink">&amp;#x21a9;&amp;#xfe0e;&lt;/a>&lt;/p>
&lt;/li>
&lt;/ol>
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